Spring 2012 Newsletter

by Bob Evans on March 30, 2012

Tripod and Balls heads?  Which one is right for me?

During my workshops I am asked about tripods and ball heads.  Some participants hesitate to spend their photo budget on one of the most important items in your camera arsenal.
I often see when people use a tripod, it is either too small and light weight for the camera gear they have, or they have one that is too short for them to use without straining their necks and backs.
When buying a tripod make sure that it will extend to a height that allows all of the functions, either in landscape or portrait mode, without straining your back to operate.
There is nothing more frustrating than to bend over all day long and end up with an aching back.
The ball head is just as important as the legs.  Of the tripod heads I see, too often are those that I categorize as movie heads or multi lever heads.  The first is one that has an arm specifically designed to rotate the heads in a panning motion, which is not stable enough for long shutter speeds.
The first image shows a typical video head with a single control.  Not very stable and not designed for multi-angle adjustments.

Video Head

 

 

3 levers to operate

This type of ball head is stable but requires 3 different adjustments to set up the shot.  I see many folks become frustrated with how long it takes to compose using this type of head.
Now I suggest that the single control ball head is by far the best choice.  First it has a large ball which is more stable.  The bigger the ball the more stable it is and the more weight it will carry as well.
Secondly, with the single control, you are able to set up and compose with a single motion, thereby making it a pleasure to use instead of a chore.
There are many different manufactures of this type, but remember the larger the ball the more stable it will be. If you use one of the larger camera bodies and a lens even at the 80-200 mm size you should have a head that will support the weight plus about twice the pounds.  So camera and telephoto at 10 lbs.. you should use a 20 lbs.. rated head.  Your question may be why over twice the rating?  Because people either buy new and heaver equipment or even rent a large lens.  Then the head they have is not as stable.
The more weight your head and tripod carry the more vibration and lack of sharpness will result if you don’t insure your equipment will do the job.
This is just an example of a good ball head.

Single Action Ball head

So hear are the key points to remember.  A tripod that is strong and light weight, such as carbon fiber.  That is tall enough to keep from straining your back.  Then a single level ball head that will carry the weight of your gear.
If you are serious about taking tack sharp images with ease, then the added cost of tripod and head will be the best investment.
See you next time, “Keep shooting.”

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Announcing Workshops for 2012

January 17, 2012

I am pleased to announce my 17th year of dynamic workshops.  I very much enjoy meeting all of my students and friends each time we venture off to  new and exciting location around the country.  The first each year is Winter in Yosemite. This year we are full for both sessions and I hope you [...]

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The Bryce and Zion workshops Nov 2011

November 30, 2011

I thought I would share some of the recent images from my recent workshop that I conducted in Bryce and Zion National Parks.  We were blessed with new snow in Bryce although the temperature was only 2 degrees.  We also got a special opportunity to shoot the setting moon on both days.  The images below [...]

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Workshop: Bryce and Zion Canyons Nov 7-11, 2012

November 30, 2011

This is now our 4th year for this exciting workshop.  We have scheduled this to coincide with the best time for fall color and the possibility of snow at Bryce Canyon.  We will spend 2 days in beautiful Bryce Canyon then travel to Zion National Park for 3 days of exciting photography.  All lodging is [...]

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Workshop: Grand Teton Oct 3-7, 2012

November 29, 2011

Based in Jackson Wyoming, this is our 5th year and back by popular demand. If you missed us last year you will really enjoy this workshop. It features all the dynamic locations of the Teton National Park and locations not often visited. $1350 includes all lodging, a lunch and a dinner. Plus lectures and critiques. Now at a reduced price! For more details. [...]

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Winter in Yosemite 2/10/2012 and 2/13/2011

November 27, 2011

After 16 years we still find dynamic images every time we go to Yosemite in the Winter.  Please join us for this great workshop.  We offer 2 different dates for you to choose from, and this year we start on Friday morning early to give you the most value.  The dates coincide with the last [...]

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Spring at Arches and Canyonlands May 16-20,2012

November 27, 2011

The red rock country beckons during the spring time to capture fabulous shapes as well as desert flowering.  This is our 6 th year based in Moab, Utah and we can offer all the most dynamic locations plus the benefit of spring time weather.  Less crowds and pleasant temperatures. Our workshop includes 5 full nights [...]

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Eastern Sierra Workshop

October 26, 2011

I just returned from my 2011 Eastern Sierra workshop based in Bishop Ca.  First I want to thank the participants for doing such a great job in shooting all the dynamic locations, and in improving their skills so much throughout the week.  Without exception we had great conditions with lighting and clouds.  I personally think [...]

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Polarize or not to Polarize

October 1, 2011

After returning for my last 2 workshops in the Teton and Yellowstone it came to mind that people are sometimes confused as to when to use the polarizer. So I thought for this months newsletter we might want to discuss when to use them and also how much polarization to use in different situations. In [...]

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